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Design Quarterly 98/99 1975 – Pages 8 & 9 continue with the George Nelson written introduction considering postwar modernist design beginnings
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Pages 8 & 9

 

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Design Quarterly 98/99 1975 – The cover page gives the impression of tabs, green for Nelson, blue for Eames, yellow for Girard & red for Propst

Cover Page
Design Quarterly 98/99 1975 – The inner pages re-enforce the title and concept for the double issue on the Herman Miller design process & additional photos

Inner Pages
Design Quarterly 98/99 1975 – Pages 2 & 3 contain a list of exhibition contributors and a written forward with acknowledgements for the issue

Pages 2 & 3
Design Quarterly 98/99 1975 – Pages 4 & 5 continues the written foreward on the left page and the contents upon a grey background on the right page

Pages 4 & 5
Design Quarterly 98/99 1975 – Pages 6 & 7 begin with images of various modern designs and an introduction by George Nelson on the Herman Miller process

Pages 6 & 7
Design Quarterly 98/99 1975 – Pages 8 & 9 continue with the George Nelson written introduction considering postwar modernist design beginnings

Pages 8 & 9
Design Quarterly 98/99 1975 – Pages 20 & 21 mark the start of the Eames section of the issue with a photograph of Charles & Ray Eames in blue & intro

Pages 20 & 21
Design Quarterly 98/99 1975 – Pages 22 & 23 begin with early photography of the Eames ESU units, ETR & LA showroom & a famous full page ad opposite

Pages 22 & 23
Design Quarterly 98/99 1975 – Pages 24 & 25 capture the attention with a stack of DSS chairs, famous wire chair photo & vertical strip of shell chair models

Pages 24 & 25
Design Quarterly 98/99 1975 – Pages 26 & 27 feature images and text for the Eames plywood group, Sling tandem seating, Alu Group & Lounge Chair & Ottoman

Pages 26 & 27
Design Quarterly 98/99 1975 – Pages 50 & 51 gives a visual and commentary insight into the Herman Miller factory and the Eames Office in Venice California

Pages 50 & 51
Design Quarterly 98/99 1975 – Pages 52 & 53 is setout with a multitude of photograph stills to show the process of the manufacture of the Eames Lounge Chair

Pages 52 & 53
Design Quarterly 98/99 1975 – Pages 54 & 55 feature photographs of various Herman Miller manufacturing operations including DSS bases & Lounge panels

Pages 54 & 55
Design Quarterly 98/99 1975 – Pages 58 & 59 contains a chronological biography of Charles Eames with notable achievements with & without Herman Miller

Pages 58 & 59
Design Quarterly 98/99 1975 – Pages 60 & 61 continue the bibliography of notable dates for Charles and begins that of Ray Eames and Alexander Girard

Pages 60 & 61
Design Quarterly 98/99 1975 – The rear closed cover has continued the four colored green, blue, orange & red design from the front but without any print

Rear Closed Cover